During my sophomore year of high school, I had panic attacks pretty much once a week. They were mostly triggered by situations that made me feel trapped, like sitting far away from the door or riding a school bus or attending a class with a teacher who wouldn’t let people leave to use the bathroom. Because of this, the school gave me a “flash pass,” a glorified hall pass signed by my counselor that I could show to the teacher at any time to quietly have a panic attack in the hallway.
My favorite panic attack occurred during advisory, a well-intentioned but completely useless period during which we all watched a special announcement on the projector screens about how to shake hands at job interviews or what to do in the event of a school shooting. You know, high school stuff. Anyway, this meant that during advisory every single classroom was playing the same school announcement at the same time. Right before the announcement started I felt a panic attack coming on (heavy breathing, nausea, sweating, the usual). I flashed my flash pass and went out into the hallway.
As my panic attack started and I paced down the hallway trying to find the most inconspicuous place to freak out, every classroom I passed was playing the same announcement at the same volume at the same time. It felt like a scene from Donnie Darko or The Twilight Zone. Every student was reacting to the same news at the same time in the same way.
That’s what it felt like when President Harring emailed all of Muhlenberg College to tell us that we were being sent home. I was sitting in my dorm room with my two friends when everyone’s phone went off at once. Everyone read the email at the same time. Everyone gasped. I gasped, my two friends gasped, and I know that everyone in my building either gasped or shrieked because I could hear it through the thin dorm walls. Doors opened up and down the hallway as people went out into the hallway to call their parents, spread the news, and see how everyone else was reacting. There was an almost tangible feeling of shock in the halls.
Donald Hall wrote a now-famous essay after the death of his wife, Jane Kenyon, called “Third Thing.” “Third things are essential to marriages, objects or practices or habits or arts or institutions or games or human beings that provide a site of joint rapture or contentment,” he writes. In an odd way, President Harring’s email became a twisted Third Thing for Muhlenberg College. We were all looking at the same thing, not with joint rapture or contentment but with joint anxiety and despair. I will say that while I was shocked and sad and angry, I was also acutely aware that I had never felt as connected to the rest of my school as I did when we received this news. It was bizarre and sort of comforting to know that everybody was experiencing the same thing I was at the exact same time, even though that thing was highly upsetting.

We got the email at 8:46pm. By 11:00 all my friends had congregated in my dorm room, all feeling the same feelings, talking about the same things, and asking the same questions. Two things really stood out: the first is that the show Aubrey had spent all semester stage managing was now canceled. Aubrey and her cast spent hours and hours and hours every week since the beginning of the semester rehearsing, learning dances, memorizing lines, writing music, building a set, writing rehearsal reports… and it was all undone with one email. The second thing was that we all still had homework due the next day. We all lost our minds a little while Maggie constructed a bulletin board for her education class and Marlee blocked a scene for her directing class. Liz laid on the floor and cried, and Aubrey facetimed her brother. As for me, I listened to early 2000s hits and did papercrafts with Maggie’s bulletin board scraps because there is nothing more soothing to me than mindless activities to do with my hands and angsty nostalgic music. We didn’t disperse until 1:00 in the morning.
When President Harring sent out that email it was like someone pushed a huge snowball down a mountain. The momentum kept everyone awake and talking and, weirdly, connected. I thought maybe a good night’s sleep would kill or at least slow that momentum and things would feel sad but mostly normal the next morning once everyone got used to the news. That sure as hell didn’t happen. Sitting in the student union felt like sticking your finger in an electrical socket, that’s how charged the atmosphere was. The nihilistic energy was really off the charts. Everyone felt out of control and it seemed pointless to go to classes when we were just going to have to pack up and leave in the next couple days. And as if things couldn’t get any weirder, it was also sack day. Once every semester on sack day the movement class puts on colorful sacks and runs around the student union Using Their Bodies to See How Anonymity and Fabric Makes Them Move Differently. Imagine you’ve just been told you have to leave all your friends because a highly contagious and somewhat deadly virus is spreading across the globe and you have to spend the next month at home with your parents practicing “social distancing” which sounds like something Cosmo magazine would advise readers to do to get over an ex in a small town but actually means that you have to stay inside with nothing but a bottle of Purell and a jumbo pack of toilet paper to keep you company and oh god you’re living through something that your future kids will learn about in history class someday that is if you ever even have kids because you’re single and not allowed to leave the house so how are you supposed to meet the love of your life now and surely it will only be a matter of time until everyone is on lockdown and your friends become tiny faces on tiny screens and no one has felt the touch of another human since lord knows when and and and then some freakin theater kid in a bright yellow sack runs up to you and starts doing an interpretive dance. Try and tell me you wouldn’t lose your mind just a little bit.
Anyway, then I went to my Paradise Lost class.
The momentum lasted the whole entire day. I should mention that I’ve been having some trouble connecting with people lately. I have trouble maintaining eye contact and keeping up conversations because I can’t get out of my own head and stop worrying about what the other person thinks of me. I feel unwilling to meet new people because it doesn’t seem worth the number of hours I’ll spend replaying the conversation in my head and feeling down on myself because I didn’t do a good job, like, being human. So even though I was sad and everyone was sad and I was sad that everyone was sad, I also felt more connected to my community than I have in a really long time. You know that game where everyone stands in a circle and holds hands, and when you feel the person to your right squeeze your hand you squeeze the hand of the person on your left, and you pass the squeeze all the way around the circle? It felt like every twinge of sadness was a squeeze of the hand. Except no one was allowed to hold hands. Or breathe in the same direction. And the Powers That Be mandated that the circle be broken in exactly 48 hours.
That night, Aubrey’s show had one impromptu performance for 400 audience members, first come first served. The show started at 9pm. By 7:30 there was a line out the door all the way to the street. Luckily, Aubrey was able to reserve seats for us close to the stage. The show was The Bacchae, a Greek tragedy about Dionysus and his band of bacchants. Aristotle wrote that “the purpose of tragedy is to arouse “terror and pity” and thereby affect the catharsis of these emotions’ ‘ (Encyclopedia Britannica). Well, let me tell you, I can’t imagine an audience that experienced more catharsis than this one. We were all carried into the theater on a wave of momentum fueled by sadness, uncertainty, and frustration. We waited for over an hour to get to our seats. The second the lights went down, the crowd erupted in cheers and applause. Everyone stomped their feet and screamed, not because of anything happening on stage (the show hadn’t even started yet) but because we were all in the same place, feeling the same thing, all brought together by this piece of theater created by our friends and family and community. The show was fantastic, but the truth of the matter is that even if it were awful we all would have cheered our hearts out just from the sheer emotion of coming together. The Bacchae was not the best show I’ve ever seen, and I’m sure another two weeks of rehearsals would have taken the production to a whole new level. But it was definitely the most impactful theater experience I’ve had. I’ll think of it in Maryland over the next month, and my friends will think of it in Massachusetts and New Jersey and New York and California and wherever else we happen to be until this momentum, this virus, dies.






















































